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Trusting the Actor, by Brian Astbury
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This revolutionary book is more than just a dry theoretical study of acting techniques. Against a background of Apartheid South Africa it tells the story – both humorous and moving – of how teacher/director Brian Astbury - founder of South Africa’s legendary Space Theatre - and hundreds of actors and acting students both in production and at Britain’s top drama schools developed a set of exercises over two decades to help actors overcome problems not addressed in other methods.
These teach how to be 'in the moment';
to gain access to the inexhaustible storehouse of the imagination;
to access, integrate and properly use the emotions of the character;
to overcome difficulties with learning lines;
to recreate performance without conscious thought.
“An idiosyncratic, challenging and practical guide to the craft of acting, crammed with anecdotes and humorous insights”
Richard E. Grant Actor/director/writer (Withnail and I, The Player, Wah-Wah and many others)
“A truly inspirational teacher”
Julie Hesmondhalgh Actor (Hayley, Coronation Street)
“A unique figure in British theatre. Provocative, controversial, doggedly inspiring. He has been the pivotal teacher, enabler and mentor for me and countless others.
Rufus Norris Director (Festen, Cabaret, Market Boy, Tintin, Vernon God Little, Blood Wedding)
“I cannot recommend it highly enough”
Stephen Moyer Actor (True Blood, NY-LON, Prince Valiant, the RSC)
“A conversational (almost chatty) love story, a tale of a theatre company’s struggle against Apartheid, an irreverent look at life”
Alexander Siddig Actor/director (Deep Space Nine, Syriana, Un Homme Perdu, 24, Primeval, Hannibal)
“Brian Astbury was, without a doubt, the biggest influence on me. His teachings are still what I go to in trouble”
Jason Flemyng Actor (Lock, Stock and Two Smoking Barrels, Snatch, The League of Extraordinary Gentlemen, The Quatermass Experiment, Drum, the RSC)
- Sales Rank: #657199 in eBooks
- Published on: 2011-05-03
- Released on: 2011-05-03
- Format: Kindle eBook
About the Author
Brian Astbury founded and ran South Africa's first non-racial theatre/arts venue, The Space, in the 70's, where he commissioned internationally famous plays like Sizwe Banzi is dead, The Island and Statements after an arrest under the Immorality Act from playwrights like Athol Fugard, Pieter-Dirk Uys, Geraldine Aron and Fatima Dike, South Africa's first black woman playwright. Many of the 'graduates' of The Space have gone on to become mainstays of the post-Apartheid South African theatre, TV and film scene. At The Space he began his career as a director. In the 80's he moved to London when his wife, South Africa's greatest actress, Yvonne Bryceland, joined the National Theatre Company. Here he began to teach - first at LAMDA, then, in the 90's at Mountview, where he was Head of Acting, Directing and Musical Theatre Courses. In 2003 he moved to E15 where he set up the Contemporary Theatre Practice course to teach actors, directors and writers the arts of survival through production of their own material. Later he headed the MA in Professional Theatre for Writers and Directors, before retiring in 2008. Over the years Astbury has formulated the techniques for training actors, writers and directors described in Trusting the Actor in collaboration with students and professional actors. Many of these techniques have their basis in the use of energy and emotion to free the practitioner's imagination, allowing actors to understand and be able to access the mysterious state known as 'being in the moment'. He has also developed methods of accessing and freeing the imagination of writers through the use of mind-mapping and image-streaming. He has done workshops on these techniques at the Young Vic, the National Theatre Studio, the London Playwrights Collective among others.
Most helpful customer reviews
2 of 2 people found the following review helpful.
a must read!
By L MONTES
For the last 10 years, I couldn't name a recent book that would have brought a fresh perspective to the actor's craft. The ones worth reading were from past decades, from Stanislavsky to Viola Spolin, from Meisner to Eric Morris.
Until I came across Brian Astbury's book - Trusting the Actor, published in 2011.
What a hidden gem this is.
Brian Astbury is a South-African theatre director who developed a unique approach to acting while working as an acting teacher in the UK.
This approach can be (perhaps unhelpfully?) described as anti-Stanislavsky - he stirrs away from analyzing the text and tries to get the actor's "right-side of the brain" engaged in the process, turning the performance into something alive and instinctive.
The first half of the book retraces his professional career and life, with a good dose of personality and wit, while pinpointing the biggest dilemmas faced by actors. The second half outlines the exercises that Brian teaches. Best of all, he names his sources (current findings from neuroscientists like Antonio Damasio and Joseph LeDoux, for instance), explains his reasoning, and is brave/humble enough to admit mistakes and lessons learned along the way.
Beyond mixing theory with practice, there's so much passion in his writing... it makes for such a compelling read and a real inspiration to anyone who is taking first steps towards the profession.
On a side note, this approach -or something very close to it- has been practiced by Brazilian acting coaches like Fatima Toledo in Brazil's film industry, leading to a visceral acting that has drawn a lot of attention in films like Central Station, City of God, Lower City, Elite Squad, among others. So if you're curious to see what this technique can lead to, it's worth taking a look at the films mentioned.
2 of 2 people found the following review helpful.
Finally!
By C�zanne Tegelberg
Finally. An accessible, unpretentious and immediately applicable piece of practical advice about Acting, Directing, Life & What to do about it.
Do you ever wish you could take a friend, teacher or icon, fold them up and put them in your pocket for inspiration, support or just plain company? Well, ladies and gentlemen, here it is: a perfectly portable Brian Astbury! As my mentor and friend, I've often wanted to zap to the UK, wander into his favourite caf and simply listen. Now, in the absence of zapping, I simply open my Kindle (what an invention!) and read.
This book is an absolute must in the tool bag of any modern day theatre professional and an interesting read for those interested in emotional and social behaviour. The book strikes a perfect balance between theory and practice, covering a range of exercises, techniques and methods, and substantiating them with a range of funny and moving memories from Astbury's intriguing life.
Mostly, I've found this book hugely inspiring as an actor and director.
1 of 1 people found the following review helpful.
Inspirational
By Sophia D-H
This book contains some of the most inspirational and practical information for actors, directors and writers that I've ever encountered. While I have found other theatre books to be though provoking, none of them have stirred me to pick up a pen and start writing immediately the way this one has. I had the privilege of spending several months studying with Brian in college during a particularly stimulating and formative time. Reading the book took me back to the feelings and impulses I remember having at that time but also drove me forward to new creative endeavors. I am thrilled to now have a means of listening to Brian whenever I find myself stuck creatively, by simply opening the book and reading his words.
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