Thursday, 24 May 2012

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  • Published on: 1602
  • Binding: Paperback

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Wednesday, 23 May 2012

[Q561.Ebook] Fee Download Un papillon dans la cite (French Edition), by Gisele Pineau

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Un papillon dans la cite (French Edition), by Gisele Pineau

Book by Pineau, Gisele

  • Sales Rank: #304186 in Books
  • Brand: Brand: Sepia Editions
  • Published on: 2010-03-14
  • Original language: French
  • Subtitled in: French
  • Dubbed in: French
  • Number of items: 1
  • Dimensions: 6.75" h x 4.00" w x .25" l, .1 pounds
  • Binding: Mass Market Paperback
Features
  • Used Book in Good Condition

Most helpful customer reviews

11 of 11 people found the following review helpful.
A wonderful book
By Denise
Wonderful book that will touch all those who like to read about French immigrants.
Gisele Pineau has become one of my favorite authors thanks to her book Exile selon Julia.
The language is very simple and as a French teacher I would highly recommand this book for honor or AP French students.

8 of 8 people found the following review helpful.
An excellent book for challenging Intermediate/Advanced French students
By Francophile Am�ricaine
This is an excellent short novel for any French teacher looking to challenge Intermediate/Advanced French college students and introduce them to the concept of diversity in France. It allows for class discussions about the role of French colonies in French national identity, the effect of socio-economic status on opportunity, and different cultural traditions from France, the Antilles, and the Maghreb. My students really enjoyed it.

As a personal read, it is a touching story about family misunderstandings, cultural adaptation, and growing up.

1 of 1 people found the following review helpful.
Five Stars
By CD
As described. Received on time

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Monday, 14 May 2012

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The general market for luxury goods has become stagnant. Given the new economic reality of the early 21st Century—not to mention the all-important new demographics of the new century—it’s bad business to continue to rely on luxury’s traditional customer base to support sales, or on tired marketing strategies and tactics. In�Black is the New Green�authors Burnett and Hoffman show readers how to follow in the footsteps laid down by brands such as Gucci, HSBC, Sony Electronics, and Aston Martin, amongst others, to become successful in a segment�corporations can’t afford to overlook if growth is�the objective.

The total number of affluent ethnic households in the United States in now estimated at over 1.3 million, the buying power of affluent African Americans (referred to as AAA’s in this book) is currently $87.3 billion. It would be foolish in the extreme not to tap into this rich buying segment, yet that is exactly what the marketing arms of companies do all too frequently. Sometimes this is because the executives in a particular marketing department are unaware of the potential that exists within this segment, sometimes it’s because they are baffled about how to reach out to this segment and sometimes it’s because they think they lack the money or resources to make a credible effort at adding a whole new segment. And sometimes, unfortunately, it’s because they have reached out in the past but their efforts were unappealing to the AAA audience. Black is the New Green will show you how to attract this lucrative market and create brand loyalty and product bonding among affluent African Americans in an affordable and measurable way.

Up until now, the affluent African American market has been underappreciated and overlooked. But with a sitting African American president—the time is now to tap into this market and to embrace a constituency that will have a lasting effect on your bottom line.

http://www.blackisthenewgreenthebook.com

  • Sales Rank: #1090089 in Books
  • Published on: 2010-03-15
  • Released on: 2010-03-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x 1.00" w x 6.00" l, .85 pounds
  • Binding: Hardcover
  • 224 pages

Review

“Marketers who read this book will have a solid primer for understanding niche marketing, as well as a primer for marketing to an ethnic community…Any marketer looking for connection with the African American consumer will have gold reading�Black Is The New Green.”—Small Business Trends

“In Black is the New Green, Andrea Hoffman and Len Burnett offer astute insight into one very powerful demographic shift that is driving the trend toward niche marketing – and they provide compelling and cost-effective strategies for reaching this emerging new affluent niche. They make the case that target marketing is no longer simply 'nice' to do, it is a 'need' to do – and, using recent, successful case studies to illuminate each step, they show you how.”
—Jim Clifton, CEO, The Gallup Organization

“Understanding the dynamics of the affluent African American marketplace as well as its motivations and expectations are critical challenges for all marketers. Black is the New Green is a must-read for marketers who have a lot to gain from understanding this important segment of affluent America.”
—Bob Shullman, President, Ipsos Mendelsohn

�“Hoffman and Burnett put a spotlight on an enormous, yet underappreciated opportunity. If you want to increase sales of upscale goods and services, this book is a roadmap.”
—Noel Hankin, Sr. VP Multicultural Relations, Mo�t Hennessy USA�“Of all the sins marketers commit, few evoke more scorn from peers than that of 'leaving money on the table'. If there's a population willing and able to buy what you're selling, then failure to reach those people is a needless blow to your brand. Many luxury brands appear oblivious to the fact there's any such thing as an AAA audience, even though such households now deploy some $87 billion in purchasing power. With the image in their heads of a handful of wealthy black athletes and entertainers, these marketers overlook the existence of 340,000-plus AAA households—headed by professionals, corporate executives, entrepreneurs and the like--with yearly income of at least $150,000. Black Is the New Green offers counsel on how to go about reaching the AAA audience.” —AdWeek�“Black is the New Green provides a thorough insight into the growing, affluent African American community. It explores the vast opportunities that exist for brands which have not yet authentically communicated with this group. An enjoyable read and with numerous anecdotes throughout, it is straight-forward and to the point.” —Rudy Chavez, President, Baume and Mercier, North America

About the Author

Leonard E. Burnett, Jr. is co-CEO and Group Publisher, of Uptown Media Group and VIBE Lifestyle Network.� UPTOWN Magazine is a bi-monthly publication for urbanites focusing on the lifestyle and culture of AAAs –which also comprises UptownLife.net, the interactive website, as well as Uptown’s signature and advertiser sponsored upscale events, and Uptown Social.� Len is a pioneer in the urban media space, and has been transforming marketer’s perceptions of the importance of reaching the underserved urban audience for twenty years.

Andrea Hoffman is founder and CEO of Diversity Affluence,�a research, marketing communications and business development consultancy that helps brand managers, marketers, agencies, entrepreneurs and business development and media executives to understand and market to affluent ethnic consumers.� �She is a marketing strategist, trend forecaster, and consultant with over 23 years of experience in marketing communications. �She has worked with brands such as Scholastic, Sony Electronics, Mercedes-Benz, BMW NA, NASCAR Caf�, Hachette Filipacchi Magazines, ALMA Awards, Nashville Entertainment Association, Alliance Bernstein and Fox Television. Andrea serves on the Board of Evidence, A Dance Company.

Most helpful customer reviews

2 of 2 people found the following review helpful.
Great Read!
By Urban Professor
This book is a great read and sheds a new light on African-Americans and the progress they have made in this country considering their start. Very informative for marketers of companies looking to tap into a really untapped market the Affluent African-American of now!

1 of 1 people found the following review helpful.
Excellent
By Carolyn M. Appleton
This book is well-written, provides real-life examples, and is very inspiring. I recommend it to everyone on my blog, in fact [...] Kudos to the authors, and hearty thanks.

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Friday, 11 May 2012

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  • Sales Rank: #5851763 in Books
  • Published on: 2013-01-28
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Saturday, 5 May 2012

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The Collected Poetry of W. H. Auden., by Wystan Hugh, Auden

"Between 1927 and his death in 1973, W. H. Auden endowed poetry in the English language with a new face. Or rather, with several faces, since his work ranged from the political to the religious, from the urbane to the pastoral, from the mandarin to the invigoratingly plain-spoken. This collection presents all the poems Auden wished to preserve, in the texts that received his final approval. It includes the full contents of his previous collected editions along with all the later volumes of his shorter poems. Together, these works display the astonishing range of Auden's voice and the breadth of his concerns, his deep knowledge of the traditions he inherited, and his ability to recast those traditions in modern times."

  • Sales Rank: #1841384 in Books
  • Published on: 1945-01
  • Ingredients: Example Ingredients
  • Number of items: 1
  • Binding: Hardcover

Most helpful customer reviews

1 of 2 people found the following review helpful.
Recommended by Alexander McCall Smith
By Kay L. Baker
Alexander McCall Smith recommended Auden in one of his Scotland Street books. I read up on Auden and decided I would take AMS's advice and read his poems. They aren't light little ditty's and require some pondering. I recommend this book as a break from whatever fiction novels you've been reading lately. I wish I could find an audio version.

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Wednesday, 2 May 2012

[L313.Ebook] Download Ebook A Moveable Feast: The Restored Edition, by Ernest Hemingway

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A Moveable Feast: The Restored Edition, by Ernest Hemingway

A Moveable Feast: The Restored Edition, by Ernest Hemingway



A Moveable Feast: The Restored Edition, by Ernest Hemingway

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A Moveable Feast: The Restored Edition, by Ernest Hemingway

Ernest Hemingway’s classic memoir of Paris in the 1920s, now available in a restored edition, includes the original manuscript along with insightful recollections and unfinished sketches.

Published posthumously in 1964, A Moveable Feast remains one of Ernest Hemingway’s most enduring works. Since Hemingway’s personal papers were released in 1979, scholars have examined the changes made to the text before publication. Now, this special restored edition presents the original manuscript as the author prepared it to be published.

Featuring a personal Foreword by Patrick Hemingway, Ernest’s sole surviving son, and an Introduction by grandson of the author, Se�n Hemingway, editor of this edition, the book also includes a number of unfinished, never-before-published Paris sketches revealing experiences that Hemingway had with his son, Jack, and his first wife Hadley. Also included are irreverent portraits of literary luminaries, such as F. Scott Fitzgerald and Ford Maddox Ford, and insightful recollections of Hemingway’s own early experiments with his craft.

Widely celebrated and debated by critics and readers everywhere, the restored edition of A Moveable Feast brilliantly evokes the exuberant mood of Paris after World War I and the unbridled creativity and unquenchable enthusiasm that Hemingway himself epitomized.

  • Sales Rank: #11399 in Books
  • Published on: 2010-07-20
  • Released on: 2010-07-20
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.44" h x .80" w x 5.50" l, .55 pounds
  • Binding: Paperback
  • 256 pages

Amazon.com Review
In the preface to A Moveable Feast, Hemingway remarks casually that "if the reader prefers, this book may be regarded as fiction"--and, indeed, fact or fiction, it doesn't matter, for his slim memoir of Paris in the 1920s is as enchanting as anything made up and has become the stuff of legend. Paris in the '20s! Hemingway and his first wife, Hadley, lived happily on $5 a day and still had money for drinks at the Closerie des Lilas, skiing in the Alps, and fishing trips to Spain. On every corner and at every caf� table, there were the most extraordinary people living wonderful lives and telling fantastic stories. Gertrude Stein invited Hemingway to come every afternoon and sip "fragrant, colorless alcohols" and chat admid her great pictures. He taught Ezra Pound how to box, gossiped with James Joyce, caroused with the fatally insecure Scott Fitzgerald (the acid portraits of him and his wife, Zelda, are notorious). Meanwhile, Hemingway invented a new way of writing based on this simple premise: "All you have to do is write one true sentence. Write the truest sentence you know."

Hemingway beautifully captures the fragile magic of a special time and place, and he manages to be nostalgic without hitting any false notes of sentimentality. "This is how Paris was in the early days when we were very poor and very happy," he concludes. Originally published in 1964, three years after his suicide, A Moveable Feast was the first of his posthumous books and remains the best. --David Laskin

From Publishers Weekly
This restored version of Hemingway's posthumously published memoir has been revised to reflect the author's original intentions. The result is less a fluid narrative than an academic exercise, with the bulk of the story—Hemingway's travels, escapades, encounters with other writers like F. Scott Fitzgerald—followed by material read by his son and grandson, and some additional sketches and fragments excluded from the final draft. John Bedford Lloyd is faced with the burden of providing a passable version of Hemingway's voice and largely succeeds, but it's much more satisfying to listen to Hemingway's son Patrick, and his grandson Se�n, who, in addition to sharing their own reminiscences, offer a hint of what Papa himself might have sounded like. A Scribner hardcover. (July)
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
"The first thing to say about the 'restored' edition so ably and attractively produced by Patrick and Se�n Hemingway is that it does live up to its billing . . . well worth having."--Christopher Hitchens, The Atlantic

Most helpful customer reviews

2 of 2 people found the following review helpful.
Atrocious typography just kills a great book
By Jean-Claude Terrier
A MOVEABLE FEAST
I wrote this review originally for a previous edition no longer offered by Amazon but
it applies just as much to this new (?) edition.

This review is not about the work by Hemingway. This is great book.

The same cannot be said about what I will call the typography. Or rather
the lack of it. The text is essentially a raw scan of a paper edition with
many, much too many, mistyped words and many more false new
paragraphs created, most of them in mid-sentence.

I mean how difficult can it be to search for and destroy any carriage
return not preceded by a full stop.

In short we have here an atrocious text rendering making for a labored reading.

And what happened to the promised illustrations and manuscript pages ?

Please,please, correct this Kindle book and reissue it to all buyers.

JCT

3 of 3 people found the following review helpful.
things to note about this edition
By Carol Mello
New 4 Star review:
When I went looking for A Moveable Feast, I wanted the original 1964 version. I was extremely irritated that it is not available in any form except as a used book. In particular, I wanted it in e-book form. All that was offered was this "restored" version. If the author himself had done the restoring, as Anthony Burgess did with the American version of A Clockwork Orange, that I could understand. But when the restoring is done by someone else, I really have qualms about that.

Hemingway's last wife was probably closer to Hemingway than anyone else at the end of his life. At that point in his life he was suffering from mental illness. So I think she did a fine job with the original version. He may have had some nasty things to say about some people he knew when young. He may have used some strong language than refined people are not used to hearing/reading. But this was Hemingway. By his age in that last year, his conversation was probably peppered with both.

When the publisher and Hemingway's surviving relatives decided to reissue this title but to revise it also, then the publisher and online bookstores have a responsibility to the reading public to make sure the public knows this is a different version than the original. It should have separated reviews from the original. It is, in essence, a different book because it is not word for word the same as the original. The fact that they retained the title of the book given to it by Mary, rather than also renaming the book, makes me feel they are financially riding on her coat tails after she is dead.

Also, I have done some additional research online. The restoring by Hemingway's surviving heirs took place in the mid to late 1990s. So, the dividing line for reviews of the original version versus the restored by son/grandson version should be in the 1990s and not 2009 (although I think the e-book version this review is appearing under was published in 2009).

My research also indicated that Hemingway's second wife married him very rapidly after his divorce from Hadley and also after he had published his first successful novel and was now a financial success. I sincerely doubt she would have married a yet unsuccessful Hemingway. I am old now and sometimes cynical. This part of my research left me with unkind feelings toward the second wife, which I seem to be extending in a biblical fashion also to her descendants, the heirs who modified this book. I don't know why I don't blame Hemingway. It is true we women can be catty about other women, sometimes not justifiably (but sometimes we are dead on right).

Personally, I was really not "ready" to read any Hemingway until I was past the age of 20 (except for The Old Man and The Sea). Even though Hemingway started his career at around the age of 20, he was not your average sheltered middle class American kid of that era (or mine). In fact, except for light fiction, I think all adult books read when one was a teen should be reread again after you are an adult. Don't base your opinion of a writer's work on an adolescent reading.

Original 1 Star review:
Any favorable reviews of this title that are dated before mid 2009 are not referring to this edition but to the prior edition(s) edited and printed from a 1964 manuscript. This is an entirely different edition, not the beautiful 1964 edition but a malice tainted rewrite by his one of his grandchildren. I think it is irresponsible of Amazon to allow the reviews of the 1964 edition to be applied to this edition which has enough changes made to it that it is not the same book. I beg Amazon to correct this mistake.

24 of 26 people found the following review helpful.
Warning in the New York Times
By Beach Atlantic
As an author, I am concerned by Scribner's involvement in this "restored edition." With this reworking as a precedent, what will Scribner do, for instance, if a descendant of F. Scott Fitzgerald demands the removal of the chapter in "A Moveable Feast" about the size of Fitzgerald's penis, or if Ford Madox Ford's grandson wants to delete references to his ancestor's body odor.

All publishers, Scribner included, are guardians of the books that authors entrust to them. Someone who inherits an author's copyright is not entitled to amend his work. There is always the possibility that the inheritor could write his own book offering his own corrections.

Ernest was very protective of the words he wrote, words that gave the literary world a new style of writing. Surely he has the right to have these words protected against frivolous incursion, like this reworked volume that should be called "A Moveable Book." I hope the Authors Guild is paying attention.

A. E. Hotchner is the author of the memoirs "Papa Hemingway" and "King of the Hill."

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